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From tokens of love to neolithic burial gifts, bridal bouquets to seasonal wreaths and healing potions to artistic masterpieces, flowers and plants have a multitude of meanings and a long and complex relationship with us. They brighten our homes and delight us in garden and countryside, convey our emotions and symbolise the stages of our human lives. Throughout the anthology, interactions with the natural world bring opportunities for new beginnings, transformation, and a chance to heal.

This rich and wide-ranging collection celebrates the deep connection that exists between people and plants in fourteen short stories as varied, diverse, and global as the botanical world itself.

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In this exquisitely illustrated compendium, Channel Island Monsters weaves a web of deliciously dark stories from centuries of fables and their fragments. The werewolves, mermaids, changelings and dragons may seem familiar, but there are also monsters which are strange and unique to the Channel Islands. La Vioge, La Cocangne, Lé Bélengi and L’Êmânue are ancient creatures waiting to be rediscovered, with their eyes still shining and their claws still sharp.

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April 1219: Edwin Weaver finds himself at Tickhill Castle under false pretences. Earl Warenne wants Tickhill for himself and is convinced that a royal order for the castle to be handed over has been hidden, so he’s sent Edwin to find it and told him not to come back until he does. Frantic with worry about the danger to his family, Edwin is forced to lie to everyone around him while searching for a document that might not even exist.

The situation escalates when a body is found and the earl musters armed troops to take the castle by force; Edwin must race against time to discover the crucial information so he can stop the violence and bloodshed. But his quest for the truth is more dangerous than he could possibly have anticipated, and he must endure tragic and wrenching loss before his duty is complete.

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Christmas, 1218: Conisbrough is shrouded in deep snow and a stranger’s body is found frozen to death. The cryptic letter it carries is from Joanna, an old friend of Edwin Weaver’s, who is in danger and pleading for his help. Edwin and his friend Martin undertake a perilous winter journey to discover that Joanna stands accused of a heinous crime; if convicted, she will be burned at the stake.

A furious Martin is determined to clear Joanna’s name even if it means resorting to violence. Edwin must control him while attempting to solve a puzzle he is only seeing at second hand; he knows nothing of any of the locals and can only work with the conflicting stories they tell him. Their vicious accusations and unshakeable belief that Joanna is guilty might result in her being killed by gossip, so Edwin must find out what really happened before it is too late …

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Inspired by items at Norfolk Heritage Centre and Norfolk landmarks, this book adventures through the ages with many monsters in the pages!



Join Emelia Moorgrim and her cat, Monty Marmalade, as they courageously use their time-travel watch to journey through history, untangle mysteries and find the monsters before they cause too much trouble.

Inspired by items at Norfolk Heritage Centre and Norfolk landmarks, this book adventures through the ages with many monsters in the pages!

The post Emelia Moorgrim and the Medieval Monsters of Norfolk appeared first on The History Press.

Before the scrutiny of scientific Enlightenment and Age of Reason, in the eighteenth century, ghost ships and oceanic monsters were the stuff of superstition, myth and legend to explain the inexplicable, to enthral the imagination – and enliven the unimaginable.

Narratives of phantom ships manned by ghostly (sometimes skeletal) crews, or damned like the Flying Dutchman to roam the seas forever; of sinister, sinuous sea serpents; and the lore of the terrible multi-tentacled kraken.

Accounts inspired spirited controversy amongst believers and sceptics, in the awestruck thrill of such frightful enigmas.

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